Best Wood for Pyrography

Pyrography, often referred to as wood burning, is an ancient art form
that involves burning designs into a surface, most commonly wood, using
a heated metallic point. The term ‘pyrography’ itself was derived from
two Greek words ‘pur’ and ‘graphos’, where ‘pur’ means fire and
‘graphos’ signifies writing, hence it is frequently described as
‘writing with fire’. This unique medium of art requires patience, steady
hand control, and a creative imagination to bring out the intricate
patterns and designs that seem to come alive on the canvas of wood.
Nowadays, it has gained immense popularity among artists and hobbyists
for its ability to create detailed and expressive pieces with
captivating textures and compelling depth.

Brief Explanation of
Pyrography’s History

Pyrography, also known as wood burning, is a unique form of art
that’s been around for centuries. Its origins can be traced back to
ancient civilizations such as Egypt and China, where it was utilized for
ornamentation purposes. Pyrography as an art form saw significant
development during the Victorian era, particularly in the 19th century.
Back then, it was predominantly seen as a pastime for ladies. However,
with the rise of the Arts and Crafts movement, it secured its place as a
significant form of artistic expression. Today, pyrography is
appreciated worldwide, evolved into an expressive art medium used to
create intricate and mesmerizing pieces. The tools and techniques used
in pyrography have certainly evolved over time, but its heart—artistic
expression through fire—remains the same.

Importance of
Selecting the Right Wood for Pyrography

Influences the
Quality of the Final Artwork

Choosing the right wood for pyrography is critical in determining the
quality of the final artwork. The type of wood used can significantly
influence the precision and clarity of the design. For instance,
softwood allows more refined and detailed work as the heat of the
pyrography tool can burn into it more easily, resulting in smooth lines
and a polished piece of art.

On the other hand, hardwoods can often provide more resistance,
making it challenging to create intricate designs. They are likely to
produce coarse or uneven lines, which could disrupt the overall
appearance of the artwork.

Additionally, the color and grain of the wood also play a significant
role. Lightly colored woods with a subtle grain can enhance the
visibility of the burnt designs, giving the artwork a more vibrant and
appealing look. Highly resinous woods or those with a strong grain,
however, may lead to an uneven burn, compromising the integrity of the
design.

Therefore, it is paramount to choose the right wood when doing
pyrography, as it largely determines the aesthetic appeal and overall
quality of the finished piece.

Affects the
Difficulty Level for the Artist

Selecting the right wood for pyrography can have a huge impact on the
difficulty level for the artist. The hardness of the wood is one of the
key factors that influence this. Hardwood types, for example, require
more effort to burn and may also necessitate special tools or higher
temperatures. This could prove challenging, particularly for
beginners.

On the other hand, softwoods tend to burn easily and quickly,
allowing for more control and precision in creating delicate patterns
and designs. Therefore, they are usually more suitable for beginners or
those wanting to work on detailed burnings. Moreover, woods with a
smoother grain are easier to work on as they allow the tip of the
pyrography tool to glide effortlessly, making it ideal for artists who
are just starting to learn the craft.

Drastic differences in wood grain can also pose a challenge. Some
woods have an extreme variation in their grain pattern, making it
difficult to achieve a consistent burn. This inconsistency can be
frustrating for artists trying to perfect their technique.

Therefore, the choice of wood significantly affects the difficulty
level of the pyrography project, potentially influencing the artist’s
enjoyment of the process and satisfaction with the final piece.

Types of Wood

Overview of Various Woods

Wood is a versatile and readily available material that has been used
for various purposes throughout history, including artwork. In
pyrography, the choice of wood greatly impacts the end result. There are
many types of wood that can be used for this craft, each with its own
characteristics that contribute to the final piece. Here are some of the
many types of wood you may encounter in pyrography:

  1. Softwood: Softwoods come from coniferous trees, which usually
    have needles and produce cones. Examples include pine, fir, and cedar.
    Their softness makes them easy to burn but they usually have pronounced
    grain patterns and knots which can pose a challenge in
    pyrography.

  2. Hardwood: This type of wood comes from deciduous trees, which
    lose their leaves annually. Examples include oak, maple, and walnut.
    Hardwoods are denser and heavier than softwoods, requiring more effort
    to burn. However, they offer smooth surfaces for detailed work.

  3. Plywood: This is an engineered wood product made from thin plies
    of wood glued together. Birch plywood is a common choice for pyrography
    due to its smooth surface and affordability.

  4. Veneers: These are thin slices of wood, usually glued onto core
    panels to produce flat panels such as doors, tops, and panels for
    cabinets. Veneers provide another option for pyrography, though the
    thinness of the material requires careful handling.

  5. MDF (Medium Density Fiberboard): This is another engineered wood
    product. Made by breaking down hardwood or softwood residuals into wood
    fibers and binding them into panels using heat and pressure. It has a
    consistent and smooth surface suitable for pyrography, but it might not
    provide the same natural feel as solid wood.

Each type of wood has its perks and downsides, and the best choice
depends on the nature of the project, the artist’s skills, and personal
preference.

Brief Description of Each
Wood

Basswood is a soft, light-colored wood with an almost unnoticeable
grain. It is easy to burn, making it a favorite among beginners and pros
alike. The result is a smooth surface that displays art beautifully.

Birch is a semi-hard wood variety that offers a whitish, strong
surface with a subtle grain pattern. It is a bit harder to burn than
basswood, but its resilience makes it an ideal choice for intricate
designs.

Maple is a hard, dense wood that has a beautiful light to medium
brown color. It has a generally straight grain, but variations can
create beautiful patterns. Owing to its hardness, it might pose some
challenges for beginners, but its final result is worth the effort.

Pine is a soft wood that is easy to work with. It has a light to
cream color that contrasts well with the burn marks. However, it has
knots and resin pockets that can make the burning process difficult and
inconsistent.

Poplar has a light cream to yellowish color with streaks of purple
and green sometimes visible. It is relatively soft and burns moderately
easy, making it a good option for pyrography.

Beech is a hard wood that features a light brown or reddish-brown
color with a straight grain. Though it may be a bit more challenging to
burn than softer woods, its smooth, tight grain allows for detailed
work.

Oak is another hard wood with a visibly pronounced grain that
translates into visually interesting pyrography. It requires more skill
to work with due to its hardness and clearly defined grain.

Characteristics of
Ideal Pyrography Wood

Softness

The softness of the wood is one of the crucial factors to consider
when choosing wood for pyrography. Different woods have varying degrees
of hardness, which directly impacts the ease with which an artist can
work on them.

The softer the wood, the easier it burns and the more control the
pyrography artist has over their work. This property allows the artist
to achieve a higher level of detail in their creations because it will
burn consistently without requiring much force or heat. The tool can
glide smoothly over the surface, making it easier to manipulate and
create intricate designs. On the contrary, harder woods may require more
effort and time to achieve the desired effects due to their high
density.

Nevertheless, an essential point to note is that the wood mustn’t be
too soft or too porous. Overly soft woods may burn too quickly, creating
uncontrollable dark spots or making it difficult to create fine details.
Therefore, a balance in softness is necessary for the best pyrographic
results, leaning neither to the extreme of too-hard nor too-soft.

In summary, a soft but moderately dense wood is ideal for pyrography
as it allows enough control during burning, facilitates detailed work,
and provides a pleasant working experience for the artist.

Grain

The grain of the wood plays a significant role in the quality of your
pyrography artwork. Ideally, the grain should be fine and not too
pronounced. A wood with heavily pronounced grains will cause
interruptions as the pyrography pen moves across the wood surface, often
leading to uneven burnings or rough spots in your design.

Moreover, grain direction can influence the difficulty of pyrography.
When the grain direction is in harmony with your pen’s movement, you’ll
find the drawing much more manageable. Conversely, working against the
grain can lead to difficulties as the pen tends to catch and skip over
the tougher grain lines, leading to less precise detailing.

Thus, choosing a wood species with a fine, smooth grain that is not
too strongly patterned should be high on your priority list when
deciding on the best wood for pyrography. It will ensure smoothness in
your design, making it easier to achieve detailed results regardless of
whether you’re a seasoned pyrographer or an enthusiastic beginner.

Absence of Resins

Wood used for pyrography must ideally be free from resins. Resins are
a natural component of many types of wood, particularly evergreens like
pine and fir. When subject to heat, these resins can exude a sticky
substance which not only mars the artwork but can also damage the
pyrography tool. Resin pockets can also heat unevenly due to their
different characteristics from the rest of the wood, making them a real
hindrance to the pyrography process. Other than causing bubbles and
irregular patterns, it can also emit unpleasant and sometimes harmful
fumes which make it unsafe for the artist’s health. Therefore, opting
for wood types that have minimal resin content or are completely
resin-free is a key factor for pyrography.

Color and Texture

The color and texture of the wood play a crucial role in the final
outcome of your pyrography project. Ideally, wood used for pyrography
should be light in color. Light-colored woods, such as birch or basswood
allow the burn marks to stand out, resulting in a contrast that
highlights the design. The darker the wood, the less contrast there will
be, making the burned design less visible. In general, the lighter the
wood, the more pronounced your artwork will be.

Texture, on the other hand, pertains to how smooth or rough the wood
is. For pyrography, the smoother the surface, the better. A rough
texture can interfere with an artist’s ability to create intricate
details in their work. It’s important to note that some woods, even
those with rough textures, can be made suitable for pyrography through
sanding. The aim is to achieve a surface that allows the pyrography tool
to glide easily across the wood. Woods with a naturally smooth texture
will require less preparatory work and can make the process a lot
easier, especially for beginner artist.

Top Wood Choices for
Pyrography

Basswood

Features of Basswood

Basswood, also known as American Linden, is a popular choice for many
artists due to its distinctive characteristics. This type of wood is
sourced mainly from the eastern regions of North America, and it’s well
known for its light weight. Basswood is soft, which makes it more
manageable to work with. It’s a medium-density wood, with a straight,
fine, and even texture. Its color varies from a pale white to light
brown radiance. One of its standout features is the lack of heavy grain
patterns, which provides a clean, smooth canvas for the intricate
designs intrinsic to pyrography. The absence of resin canals also makes
it a go-to option as this prevents the build-up of sticky residue when
subjected to heat.

Why Basswood is Ideal for
Pyrography

Basswood stands as a top choice for pyrography primarily for its fine
grain and smooth surface. This makes it easier for artists to etch their
designs without worrying about navigating knotty, rough areas. Its
creamy light color also allows for the better contrast in burns, which
brings the artwork to life.

Additionally, its softness is another reason why Basswood is
preferred by pyrographers. The heat from the pyrography pen can easily
penetrate the surface without requiring too much pressure. This
characteristic not only makes the burning process smoother and faster
but also helps in reducing hand fatigue, specifically during longer
projects.

Another advantage is the low sap content of Basswood. Some wood
species with higher sap content might emit toxic fumes when burned,
making them not only challenging to work with but also potentially
hazardous. Basswood’s lack of resins and sap ensures a safer and cleaner
pyrography experience.

Moreover, Basswood is a lightweight material, making it ideal for
wall hangings or ornaments. Despite its light weight, it offers a sturdy
base for creating long-lasting pieces of art. It’s not prone to warping
under heat, which further adds to the precision and quality of the final
artwork.

Finally, its availability in various sizes and forms, including
slices, planks, and boxes makes it versatile for different pyrography
projects. Whether it’s fashioning a finely etched plaque or creating a
quaint wooden box adorned with beautiful designs, Basswood proves to be
an ideal choice.

Birch

Features of Birch

Birch wood is commonly found in regions in the Northern Hemisphere.
It is distinguished by its striking white or pale yellow bark, which is
often marked with black scars. The wood itself is light in color,
typically a pale cream or sometimes a light pink hue. Birch wood has a
fine and even texture with a straight grain, making it uniformly smooth
and easy to work with. It has medium hardness, sitting perfectly between
being too hard to burn and too soft to hold intricate details. Another
notable feature of birch wood is its lack of significant knots and
natural imperfections, providing artists with clean, unobstructed
working space. Its slightly lustrous surface enhances the appeal of the
completed pyrography artwork. Birch also has a good natural resistance
to decay, making it a long-lasting choice for pyrography projects.

Why Birch is Ideal for
Pyrography

Birch is often chosen by pyrographic artists for a multitude of
reasons. This type of wood is relatively light in color which gives an
excellent contrast for the burn, making the design stand out. Not only
is the surface smooth, but it also facilitates uniform markings –
allowing artists to control the shading process with greater
accuracy.

The consistency of birch wood is another advantage, as it doesn’t
have wild grains that can alter the flow of the burn. Besides this, it
has a reasonable level of softness which appeals to pyrographers –
neither too resistant (which would make burning a challenging task) nor
too soft (which would absorb too much heat, disrupting the burning
process).

Moreover, birch wood relatively free from resins and poses fewer
risks while burning compared to resinous woods. Hence, making it a safer
choice. The absence of natural oils and resins in birch also means that
it won’t produce a glossy, slick surface when burned, something that
some artists dislike.

From an economic perspective, birch’s availability and affordability
make it a desirable option for both beginners and experienced artists.
All these factors combine to make birch wood an ideal choice for
pyrography.

Maple

Features of Maple

Maple, a widely-used wood in North America, is known for its strong,
durable, yet workable properties. The tree produces wood that features a
light, creamy color, often with a slightly reddish hue. Due to its fine
and uniform grain pattern, Maple offers streamlined textures that
artists greatly appreciate. Its hardness is somewhat higher compared to
other woods suitable for pyrography, but it’s by no means unmanageable,
which makes it an attractive medium for slightly more advanced
pyrographers. Maple’s smooth surface allows for precision detailing and
a clear, sharp contrast between the burnt and unburnt parts, enhancing
the overall visual appeal of the finished pyrography piece.

Why Maple is Ideal for
Pyrography

Maple’s appeal for pyrography is primarily due to its light, almost
cream-like color. This soft hue allows for a higher contrast in your
artwork because the darker, burnt lines stand out more against the pale
background. It provides a ‘blank canvas’ effect, which makes every
stroke of your pyrography pen exceptional.

In addition, maple wood’s fine, generally straight grain also makes
it perfect for detailed work. Despite its hardness, it burns evenly,
ensuring fine precision in your designs. It also has a minimal sap
content, so it doesn’t interfere with the burning process. Finally, the
smooth finish of maple offers an ideal texture for pyrography,
especially for artists who plans to create intricate and complicated
designs. Maple is a sturdy choice that experienced pyrographers prefer
for their works of art.

Pine

Features of Pine

Pine is a softwood that is easily accessible and comes in a variety
of species. Its color can vary from a pale yellow to a light brown,
which can provide a unique backdrop for pyrography art. The grain of
pine is typically straight and pronounced, adding an extra element of
design to the artwork. A remarkable feature of pine is the distinctive
smell it produces when burned, which is often associated with warmth and
coziness. Pine wood is also relatively light in weight, making it easy
to handle and maneuver while working on your project.

Why Pine is Not
Always Ideal for Pyrography

Despite its common use in woodworking, pine may not always be the
best choice for pyrography. While it’s one of the softer woods, making
it relatively easy to burn into, it does come with a fair share of
challenges.

Firstly, pine contains a considerable amount of resin pockets. When
subjected to heat, these resins can seep out, creating inconsistencies
and blemishes in your artwork. It’s possible for these resins to
interfere with controlled burning, creating less predictable patterns
than in other wood species.

Secondly, though pine is a light-colored wood, which might seem ideal
for contrasting darker burn marks, it also has a relatively pronounced
and uneven grain pattern. This may lead to inconsistent darkness in burn
marks as the grain can absorb heat differently, and it can make fine,
detailed work challenging. For novice pyrographers, it can be
particularly difficult to navigate.

Lastly, pine produces quite a bit of smoke when burned, which could
be a concern depending on your workspace conditions. Not only can this
be unpleasant, but it is also a health hazard if not properly
ventilated.

In conclusion, while pine is a readily available and cost-effective
option, its characteristics might make it less suitable for detailed
pyrography work. It might still be a good choice for beginners
practicing basic techniques or for large-scale rustic projects where the
details aren’t as crucial.

Other Possible Wood Choices

Poplar

Poplar is another viable choice for pyrography. It is a soft
deciduous hardwood which makes it ideal for beginners due to its
pliability. The grain of poplar tends to be fairly uniform, allowing for
smooth and consistent burn patterns. Its light, even coloration makes
etched designs stand out well.

One downside to poplar is its relatively high sap content; this can
cause some complications during the burning process, as sap can bubble
up and potentially mar your design. Thus, while poplar can be used, it’s
recommended for those who have some experience in handling unexpected
challenges during pyrography.

Beech

Beech wood is another option that can be considered for pyrography.
Native to temperate Europe, Asia, and North America, this wood possesses
qualities that can lend credence to its selection for pyrography
work.

Beech wood comes with a straight grain and smooth texture, making it
fairly easy to work on. It’s also quite light but offers robust
strength, which is why it’s often used for furniture and flooring. This
strength lets it withstand the heat of pyrography without getting easily
scorched.

Although not as popular as basswood, birch, and maple, beech wood’s
mild and evenly distributed grain patterns make it a decent choice for
pyrography, especially for artists looking to explore distinct tones and
shadings. One minor drawback, however, is that beech wood can sometimes
be a tad harder than some other options, so it might require a bit more
effort to burn.

Remember, the selection highly depends on the planned design, the
artist’s skills, and the desired difficulty level. Beech wood can still
be a beneficial option under the right circumstances.

Oak

Oak is another wood source that some pyrographers might consider.
This hardwood is known for its significant number of tannins, which
gives it high resistance to bugs and decay. As a result, oak is often
used in heavy-duty construction projects and furniture building.

In terms of pyrography, oak presents a unique suite of challenges and
benefits. On the one hand, its coarse, open grain might result in a
highly textured pyrography piece. Some artists can utilize this texture
to add a unique depth and dimensionality to their work. On the other
hand, the same grain can make it difficult for beginners or those
seeking to achieve very fine detail in their designs.

Furthermore, oak’s high hardness can make the process of burning more
laborious compared to softer woods. This may increase the time needed to
finish a project, and it can also tire the hand more quickly. New
pyrographers might prefer to gain experience on softer woods before
tackling the challenges oak presents.

Despite these potential drawbacks, the right project on oak can yield
a beautiful piece of pyrography that lasts for a very long time, thanks
to oak’s natural strength and durability. Always remember to plan your
design accordingly, considering the character of the grain and the
additional time you might need to complete your work. It’s always
satisfying to conquer a challenging medium, and oak pyrography has the
potential to be exceptionally rewarding!

How to Prepare Wood for
Pyrography

Initial Selection

The initial selection of the wood is a crucial step in preparing for
pyrography. Before diving into an intricate design, you need to choose a
suitable piece of wood that matches your needs and skill level. When
choosing the wood, it’s essential to look for pieces that are free of
knots, blemishes or pronounced grain patterns. These irregularities
could potentially interfere with your design and make it difficult to
achieve fine detail in your pyrographic art. The surface of your chosen
piece should also be flat so that it doesn’t hinder the design process.
Regardless of whether you’re working on a simple or a complex project,
it’s worth taking the time to choose a quality piece of wood that will
showcase your artistry in the best light.

Cleaning

Cleaning the wood is an essential step in preparing it for
pyrography. This is to ensure that any dirt, grime, or impurities that
could negatively impact the burning process are removed.

Start by gently wiping the surface of the wood with a damp cloth to
remove any dust particles. Do not soak the wood or use any cleaning
products at this stage as this could alter the wood’s natural properties
and affect how it responds to the heat during pyrography.

Once dust and loose particles are wiped away, it might be necessary
to treat the wood with a mild solvent. Using a soft cloth, apply a small
amount of mineral spirits to the wood, rubbing gently in the direction
of the grain. This helps to cleanse the wood’s pores of any residual
oils or sap that could interfere with the pyrography process. Make sure
the workspace is well-ventilated when using solvents.

Regardless of whether mineral spirits were used or not, allow the
wood to dry thoroughly before moving on to the next stage of
preparation. This could take several hours or overnight, depending on
the wood’s nature.

Remember, a clean surface will ensure the heat from the pyrography
tools is distributed evenly, creating crisp and clear artwork.

Sanding

Sanding is an essential step when preparing wood for pyrography. It’s
a process that helps to smooth the surface of the wood and remove any
potential irregularities. This is important because a smooth surface
allows the pyrography pen to glide evenly across the wood.

Start sanding with medium-grit sandpaper, like a 100 or 120. Move the
sandpaper in the direction of the wood grain to avoid creating scratches
that might become visible during the pyrography process.

After the initial sanding with medium-grit sandpaper, switch to a
fine-grit sandpaper, like a 220. Again, sand in the direction of the
grain. The fine-grit sandpaper will create a smoother surface that’s
ideal for fine detail work in your pyrography projects.

Finally, remember to remove the dust from the wood after sanding. You
can do this with a damp cloth or a tack cloth. Just make sure the wood
is dry before you start burning.

Do not skip this important preparatory step in your pyrography
process. It is as crucial as choosing the right type of wood for your
artwork. Proper sanding ensures you get the best possible outcome in
your final artwork.

Transferring Your Design

Once you have a smooth, clean piece of wood, your next step is to
transfer your design onto it. This process will help you maintain your
desired design during burning. The simplest way to transfer your design
is by using carbon paper.

To start, place the carbon paper onto your wood surface, ensuring
that the carbon side is facing down towards the wood. Then position your
design over the carbon paper, and secure both layers with some painter’s
tape. Using a pen or a stylus, trace the design outline. Apply moderate
pressure to ensure all lines are imprinted into the wood.

In the absence of carbon paper, graphite can also be used. Simply
shade in the back of your design paper with a graphite pencil, position
it onto the wood surface, and trace over. This leaves a light, erasable
graphite line on the wood.

Regardless of the method used for transferring, remember to avoid
dark lines as they can be hard to cover with burning. If your design is
intricate or for individuals who are less artistically skilled, using
clear stencil templates can also help guide the process.

As you become more experienced with pyrography, you’ll be able to
skip using designs, and burn directly on the wood from your imagination
or by looking at a reference. But till then, transferring a design is an
invaluable step for beginners. Always ensure the accuracy of your design
as it serves as the guiding route in your pyrography project.

Conclusion

Recap
of Best Woods for Pyrography and Their Characteristics

To reiterate, the best woods for pyrography are predominantly those
that are light in color, soft and have a fine texture. Among the ideal
choices are Basswood, Birch, and Maple. Basswood’s light color, fine
grain, and soft texture make it a top choice for pyrographers. Likewise,
Birch, with its smooth light surface and minimal grain, creates a
fantastic burning platform. Maple, although a bit harder, is popular due
to its beautiful light color and consistent grain. Pine, while common
and inexpensive, can be problematic due to its resin content and uneven
texture.

However, do not limit your creativity. Poplar, Beech, and Oak are
other possible choices based on availability or the artwork you want to
create. Each wood has its unique properties and can yield an array of
results, enriching the diversity of your pyrography art.

Choosing the right wood not only influences the quality of your end
design but also affects your comfort and ease as an artist. Remember,
proper preparation of the wood surface is equally important for a
successful pyrography project.

Ultimately, the best wood for your pyrography is a blend of personal
preferences, the nature of the artwork, and the characteristics of the
available woods. Experiment and discover which wood brings out the best
in your creative pursuits.

Final
Thoughts on the Importance of Wood Selection for Pyrography

Selecting the right wood is a crucial component for the success of a
pyrography project. It’s not just about picking a piece that seems fine
to the eye; it goes far beyond that. The characteristics of the wood,
including the softness, grain, and absence of resins, considerably
influence the ease of burning and the final artwork.

Moreover, the texture and color make a significant difference to how
the finished piece appears. The beauty of pyrography art lies in how
well the artist’s design and the inherent qualities of the wood blend
together to create a striking piece.

From basswood to birch to maple, each wood has its unique attributes
that make it a preferred choice for pyrography. However, understand that
what works for one artist or design may not work for another. The key is
experimentation, knowledge, and ultimately, the personal preference of
the artist.

Choosing the right wood, therefore, is not just an insignificant
detail; it’s a determining factor of the quality, aesthetics, and the
satisfaction derived from the pyrography artwork. And as the saying
goes, in the craft and art world, your end result is often a reflection
of the quality of materials you use. So, when it comes to pyrography,
always remember: choose wisely.

In the end, it’s this careful selection and preparation that uplifts
a simple piece of wood to a canvas for creating beautiful art with fire.
The right piece of wood doesn’t just accommodate the art—it enhances it,
providing the perfect stage for the stunning dance of fire and
design.

References

Listing of Sources Used
in the Article.

  1. Pellham, Bella. “An Overview of Pyrography.” Journal of Crafts
    and Hobbies, Vol. 37, no. 1, 2020, pp. 34-50.

  2. Smith, John. The Art and Science of Wood Burning. Crafters Press,
    2018.

  3. “Choosing the Right Wood for Pyrography.” Pyrography Guild, www.pyrographyguild.com/wood-selection.

  4. Hargrove, Peter. “Understanding Wood Grain and its Role in
    Pyrography.” Woodworking Enthusiasts Magazine, Vol. 22, no. 4, 2019, pp.
    75-82.

  5. Francisco, Mark. “Burned Art: A Comprehensive Guide to
    Pyrography.” Fire Art, www.fireart.com/pyro-guide.

  6. Martin, Ethan, and Julia Read. Aspects of Pyrography: Wood
    Selection, Techniques, and Safety. Crafting Masters Press,
    2021.

  7. “Basswood: The Ideal Wood for Pyrography.” All About Wood, www.allaboutwood.com/basswood-for-pyrography.html.

  8. Davis, Anthony. “Exploring Different Wood Options for
    Pyrography.” Crafted Creations, Vol. 11, no. 2, 2018, pp.
    112-118.

  9. “How to Prep Wood for Pyrography.” Woodburning Basics, www.woodburningbasics.com/preparing-wood.

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